Looks like the Golden Knights are going to have a solid team. And it also looks like the Avalanche still have a lot of work to do if they ever want to get back to the glory days of 1995-2001.
[Crossposted to Tumblr.]
Every so often there are areas in which I cannot help but consider myself a little bit of a terrible human being, and rooting for extreme weather even though I know I am not the one who is going to pay the consequences is one of those areas, and I am very sorry.
My father passed away due to complications from heart failure on August 25, 2017. I am very fortunate that I was able to be there with him when the time came, as was my mother; he didn't leave this world alone.
Since my mother was in ICU at the same time (in the same hospital, at least) and is still recovering, plus a few other things, we will be holding a memorial service for him sometime in November. That's what he wanted, anyway, rather than a big funeral shindig, so.
By then I will have better words to share here in his memory. For now -- I loved him very much, and he loved me. Even when we disagreed on things, that was always a constant. I am grateful to have had him in my life for as long as I did, and I will miss him always.
(Before you ask - no, I'm not okay, not really, but I'm getting through it one moment at a time. All of you have been a great help.)
At this point I am crossing off days until my folks swing down from the Frigid North to visit in mid-October, and to my planned Japan trip in mid-November. If anything else creative or similarly productive gets done during the interim, I'm not sure whether it'll be in spite of or because of my own efforts.
But still around and reading, as mentioned.
Fandom: Marvel Cinematic Universe
Warnings: Major Character Death
Relationships: James "Bucky" Barnes/Steve Rogers
Characters: Steve Rogers, James "Bucky" Barnes, Tony Stark, Pepper Potts, Bruce Banner, Betty Ross, Peggy Carter, Sam Wilson (Marvel), Sharon Carter (Marvel), Georges Batroc
Additional Tags: Alternate Universe - No Powers, Work In Progress, Alternate Universe - Romance Novel, Grief/Mourning, Second Chances
Sweet, shy Steve Rogers had had it! He now held the dubious title of oldest unmarried man in Oakdale — and a virgin, to boot. It was high time he shed his scholarly shell and unleashed the temptor within. Problem was, he didn't know the first thing about men, let alone seducing one….
Heartbreaker Bucky Barnes had been away for twelve years, and boy, had things changed! The innocent boy who once had tutored him in math now was a man in need of his help… to snare a man! He'd always admired Steve, but his stunning transformation was too much for any man to resist — even a sworn bachelor like him...
Adapted from The Oldest Virgin In Oakdale by Wendy Warren
Or features three cast members, playing, respectively:
- former spy and ambitious playwright Aphra Behn
- Charles II of England and also Aphra Behn's ex-lover double agent William Scot
- Nell Gwyn, and also Aphra Behn's elderly and extremely cranky maid, and also in one memorably stamina-requiring and scene-stealing monologue Lady Mary Davenant, manager of the Duke's Company of theatrical players
Most of the play takes place in Aphra Behn's apartment, with cast members popping in and out of side rooms as Aphra Behn vainly attempts to keep all her love interests separate AND ALSO thwart a hypothetical plot on the king's life AND ALSO and most importantly finish writing the final act of her career-launching play by a deadline of 9 AM the next morning! Which nobody will let her do! Because they keep wanting to make out with her and/or tell her about plots on the king's life! It's all very frustrating!
The dialogue is delightful, the actors do a fantastic job rattling out natural-sounding rapid-fire iambic pentameter, I laughed aloud at the final plot twist, and the ending contains a solid dose of much-appreciated optimism; it's an extremely enjoyable experience and one I would strongly recommend.
-- ok let me backtrack. The Weight of Ink is a serious literary novel about a pair of academics (the favorite protagonists of serious literary novels) who have discovered a treasure trove of 17th-century documents in a staircase written by Ester Velasquez, a Portuguese Jewish woman who Confounded All Tradition by acting as scribe for a London rabbi. The book proceeds to interweave Ester's story and POV with that of the academics as they discover various bits of evidence pointing to the things that Rachel Kadish will then later explain to us in Ester's narrative sections.
Ester's story is .... it's mostly good? I think I have come around to largely thinking it's good. It starts to pick up around the middle of the book, when Ester starts writing letters to various famous philosophers under fake male names so that she can Engage in the Discourse.
[ACADEMIC A: [Ester's fake name] did not get much attention during his career or make any important allies -
ACADEMIC B: Oh, why is that?
ACADEMIC A: Well, basically, he was very rude to everyone he wrote to.
I will admit I was charmed.]
Ester's most important relationships are with the rabbi -- a good and wise man who respects her intellect and cannot support the ways in which she chooses to use it -- and with Rivka, the rabbi's housekeeper, a Polish Jew who acts as Ester's foil in a number of significant ways, not all of them obvious or expected. Both of these dynamics have an interesting and complicated tension to them that goes well beyond the standard 'I, A Misunderstood Woman Ahead Of My Time.'
Also there is another young upper-class Jewish woman who is rebellious in wildly different ways than Ester is; a pair of brothers who are both interested in marrying Ester for profoundly different reasons, neither of which is true love; and, for a brief period of time, a love interest. The love interest is hilariously lacking in personality and equally hilariously irrelevant to Ester's life on the whole, and mostly exists to trigger a series of philosophical musings related to desire about which Ester can fight with Spinoza. I guess The Distant Shadow Of Spinoza is also one of Ester's most significant relationships.
Anyway, I appreciate the weighting of these relationships, and the way in which the narrative emphasis shifted from what I expected, and especially all the relationships that were not grounded in romance, but in other forms of love and duty and resentment and complicated emotional bonds.
And ... then there's our modern academics.
Helen Watt is a stiff-necked elderly British specialist in Jewish history, who is on the verge of retirement due to Parkinson's disease. Helen has a Tragic Backstory: in her youth, she spent a month as a volunteer in Israel in the 1950s and had a summer fling. Sorry, let me rephrase: she met an Israeli soldier who was the love! of her life!! (For a month.)
The pivotal scene in their romance occurs when Helen shows up for one of their few actual shared off days to have a date, and he hands her a copy of The History of the Jewish People and then LEAVES and REFUSES TO COME BACK until she's READ IT COVER TO COVER. This is the only way she can understand our endless, endless oppression!
(Meanwhile, he lurks outside, and periodically brings her snacks. THIS SCENE IS SOMEHOW NOT MEANT TO BE COMIC.)
Alas, Young Helen in her frailty decides it's all a LITTLE too much for her, and subsequently regrets her lost love until the end of her days. But, inspired by the world's weirdest date, she decides to dedicate her life to the study of Jewish history, so I guess ... that's all right .....?
She is assisted in her endeavors by Aaron, the third POV character. Aaron is an insufferable American Jewish Ph.D. student. He is working on a dissertation about Shakespeare and the Jews, for which he has no evidence, so instead he spends the entire book obsessing over an unattainable Cool Girl. (And she is so textbook Cool Girl! The coolest girl of all! A girl who poses nude for artists who capture a certain something about her, a girl who's just realer than other girls, THE MAGICAL IDEAL.) He sends her incredibly long, pompous emails after a one-night stand which took place on an evening in which "he waited until Marisa was on her second beer -- he kept track from a distance, biding his time. When he approached at last, his own untouched beer dangling casually in his hand --" OKAY AARON, THANKS AND GOODBYE, YOU AND I ARE DONE.
But alas, we are not done with Aaron, we are not done with Aaron at all. Eventually Aaron does come to realize that he's insufferable! A significant part of this realization comes when he visits an archive and meets a shy, demure archivist who's bad at flirting, and is suddenly struck by how desperately sad it is that people like her may never find love because they're all overlooked by assholes like him. If only people like him paid attention to people like her, their lives might be fulfilling and the world would be better! ALAS.
(There are two other archivists in the book, The Interchangeable Patricias. They have a few moments of heroically rising to Helen's aid but mostly their role is to stand as icily competent, largely humorless glowering gate-guards over the sacred text, because of course.)
So basically everything about the modern sections was nonsense to me. (Also, I got mad every time they found a document that explained to them a Piece of the Mystery in a way that was way too narratively convenient. 'Oh, look, Ester doodled out her real name and her fake name next to each other and added a note that said 'HEY IT'S ALL MY NAMES!' Isn't that handy!')
Still, Ester's story in and of itself was good and compelling and interesting, and grudgingly I became invested in it despite myself...
( And then spoilers! )
Juliet Takes a Breath is the coming-of-age story of Juliet Milagros Palante, a young Puerto Rican lesbian from the Bronx who's spending the summer of 2002 interning in Portland, Oregon! with international feminist sensation Harlowe Brisbane! author of "Raging Flower," a book about VAGINA POWER!
Unsurprisingly, pretty much every time Harlowe Brisbane spoke a sentence I wanted to retract my head all the way back inside my nonexistent turtle shell until a million years had passed and womyn power white lady feminism was a thing that could be discussed with distant scholarly complacency, like galvanism or the Cathar heresy. This is completely expected and indeed clearly intended by the book, but nonetheless, OH LORD.
Anyway, not everything is Harlowe Brisbane being exactly the way you'd expect; a great deal of the book is Juliet dealing with a wide range of family reactions to her coming-out (the width of the range in particular is really good!), and Learning New Vocabularies, and finding comfortable queer POC spaces, and attending lectures about intersectional solidarity in the wake of 9/11, and making romantic gay teen mixtapes full of Ani DiFranco songs! But oh, lord. At least one book club member said it rang extremely true to their experience and memories of Portland in 2002. Myself, in 2002 I was nowhere near Portland nor any of the Cool Yet Problematique gay spaces that Rivera is writing about here and it's PROBABLY just as well, but it does seem quite likely to me that walking around Portland in 2002 was a lot like walking around a physical manifestation of certain bits of tumblr, and that is indeed the sense I got of it from this book.
[a sidenote: the acknowledgments in the back include pointed thanks and reference to the time that the author spent with Inga Muscio, author of 'Cunt: A Declaration of Independence.' I'm not necessarily saying this book was a callout post, but .... anyway Inga Muscio also cheerfully blurbed the book on the front so it seems there were no hard feelings on her part and all is well.]
Fandom: Original Work
Warnings: No Archive Warnings Apply
Relationships: Original Male Character/Original Male Character
Additional Tags: Romance Novel, Paranormal, PTSD, Hauntings, Kid Fic, Drug Use
A house full of ghosts is no place to fall in love.
Malcolm Carmichael has been coping with his post-war trauma by taking lovers, teaching art to schoolboys, and trying to ignore the ghosts he sees everywhere. At the death of his mother, he realizes he wants more than just to coast on by, and leaves the exclusive school in search of something more.
Caleb Thibodeaux was so traumatized by the death of his parents in a fire that he hasn't spoken a word since. His uncle Noel hires Malcolm to be his tutor, and Malcolm discovers that Caleb is not the only Thibodeaux son with secrets. The plantation house Fidele is beautiful but haunted, and Noel is much the same.
Soon Malcolm is absorbed in protecting Caleb and Noel from threats both living and dead, and in uncovering the story of Fidele.
Read at AO3 or at JennaLynnBrown.com.
Trying to avoid spoilers for the rest of the game; it's currently up to Kadara and a bunch of people's loyalty missions, fwiw.
Pearl's story is as fascinating as all the other stories about WWII female secret agents I've read, with the bonus that it's barely crushingly depressing at all! Pearl started out as a courier, posing as a traveling cosmetics saleswoman and working with an old school friend of hers who was running the SOE Stationer network -
(sidenote; she'd also been the one to recommend that her old school friend sign up for secret intelligence to begin with, and then was like 'yes now that I've set that up I'll pop on over to join his network now, thanks')
(sidenote 2; she'd also managed to somehow smuggle a secret message to her fiance Henri, a French soldier who had just escaped from German POW camp, and get him in contact with the Stationer network as well, so literally as soon as she parachuted in her boss was like "HEY WELCOME TO FRANCE HERE'S YOUR BOYFRIEND I'll just .... leave you two alone a bit")
- but eventually her boss was arrested by the Gestapo. Fortunately, Pearl had dragged several other members of the network out for a picnic that day, so they all escaped!
Then D-Day happened and Pearl was like "well, I guess it is now my job to be in charge of organizing all British supply drops and getting weapons and money to the French underground resistance, and no one else seems to be sabotaging the Germans around here, so ..... I guess that's what we're doing now?"
And that's how Pearl ended up being in charge of several thousand Maquis soldiers! With Henri playing support.
(There's a couple of Henri interviews in the back and they are mostly taken up with the story of how he rescued a baby bunny while retreating from the Germans and brought it along with him through numerous battles until they were about to be captured, at which point he was like 'FLY FREE, MY RABBIT FRIEND! SAVE YOURSELF!' "And that was the only life I saved during the war." BLESS.
There's also a very cute bit that the interviewers put in dialogue, because they also obviously found it super cute, where Pearl is like "ugh I get so mad when people say the men followed me because I was pretty" and Henri is like "BUT YOU WERE, YOU WERE SO PRETTY" and Pearl is like "I WAS NOT AND ALSO THAT'S NOT THE POINT.")
I have not yet managed to get my hands on Nancy Wake's autobiography, but I would love to compare/contrast -- they played very similar roles during the war in organizing Maquis during the liberation of France, but while Nancy Wake seems to have made no bones about being a very front-lines combatant (strangling soldiers with her bare hands, etc.) Pearl spends a lot of time in her account strongly disclaiming active heroism and emphasizing the logistics and support elements of her role. Could she have killed somebody herself if she had to? Well, gosh, she's so glad she never had to find out, that wasn't her job at all!
But I mean, Pearl also starts out early on in her narrative explaining that she is very conflict-averse and dislikes argument above all things, and then goes on to describe, in addition to extensive amounts of fighting with the Germans:
- fighting with the entire French government when it looked like they weren't going to give any of her Maquis any medals because they were technically working under the British rather than the French (ง'̀-'́)ง
- fighting with the entire English government when they tried to give her a civil Order of the British Empire rather than a military one because "there was nothing remotely 'civil' about what I did" (ง'̀-'́)ง
- fighting with the head of SOE after he accused a trusted French colleague of hers of being a double agent due to a misunderstanding and then failed to apologize -- "as Colonel Buckmaster is kind enough to visit me each time I come to Paris, can you ask him to alert me next time and I'll ask [the dude who was falsely accused] to come too?" (ง'̀-'́)ง (AND HER OLD BOSS NEVER VISITED HER AGAIN)
- fighting yet again with the English government when they wouldn't let her wear parachute wings, because she'd only jumped four times instead of five, "SO I JUST WORE THEM ANYWAY" (ง'̀-'́)ง (the editor is like 'we don't know where or how she got a pair to wear? but apparently she did?')
What I'm saying is I take Pearl's description of her own retiring conflict-averse shyness with a grain of salt.
EDIT: I should admit that most of these nomination choices came about because at one point a few months ago I was seriously considering having an all-DPRK slate: the Inspector O novels, The Schoolgirl's Diary film, and the Squirrel and Hedgehog animated series. Much as I would enjoy writing or reading fic for any of these canons, I do not relish the thought of ending up on _coal at this time.